if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-leader-4','ezslot_18',192,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-leader-4-0'); At the beginning of this post I mentioned that Ive recently committed to only shooting Kodak Ektachrome E100 and P3200 for at least 6 months to learn how to get the best out of those films. Just thought Id say hi , but it turned in to a what Im shooting and why. (Im on holidays) BTW started a project Im pretty sure Ill shoot dig Im shooting it on dig and 120P400 but I think Im getting more what want off the dig. About white balance and colour temperature. One method photographers follow is pushing Cinestill 800T to 1600 ISO (aka underexposing it by 1 stop). Mixed lighting and images with complex colour patterns (no clear white/greyscale elements) can make colour corrections frustrating and time-consuming. "medium film". I would expect you to get some bloody stunning results, Julian! For example, 5500K is very close to the suns photospheres 5800K. Technically, an ISO 800 film would be the safer choice. By clicking Post Your Answer, you agree to our terms of service, privacy policy and cookie policy. I'm new to 35mm photography and am very much still getting the hang of things. Using ISO 1600 film outdoors, you're paying more money to get less resolution. (Eg. ISO 200. Another big pro of the Canon 5D Mark IV is the ISO range. Regardless, the ideal ISO/EI to rate this film at will always be somewhere between 400 and 800 without push processing. One method photographers follow is pushing Cinestill 800T to 1600 ISO (aka underexposing it by 1 stop). There are, however, ways to control the colour cast that CineStill 800T produces when shot in daylight. To be in a forest under the trees you will find high ISOs very useful. Cinestill 800T and the best way to shoot it!Buy Cinestill 800T using this link to support me: https://amzn.to/3g27oJoLightroom Presets: http://www.cvatik.com. In our review, we state: "Kodak Portra 800 is apparently based on Kodak's VISION 2 technology whereas Kodak Portra 400 and 160 . Left circle: a matching frame shot with an 85C warming filter. Took me back to shooting Fujicolor 800 on the F4 in the late 1990s. These aren't showstoppers, just things you should be aware of. It's only one stop slower than ISO 800, and two stops faster than ISO 100. At this stage, it was quickly dawning on me that Portra 800 could be the film that might offer me the greatest level of versatility and the lowest level of requirement to tinker with the results within my workflow. I've used it only once, and I don't remember any effects besides more grain. purchases using the links above so that this website may get a small percentage of that sale at no extra charge for you thanks. if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-mobile-banner-2','ezslot_14',190,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-mobile-banner-2-0'); if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-mobile-leaderboard-1','ezslot_19',191,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-mobile-leaderboard-1-0'); As a final test, specifically for the sake of this review, I recently shot a roll slightly overexposed to see how well I could correct it. So what *is* the Latin word for chocolate? . Film Type: Kodak Tri-X 400 Black & White. The tungsten-balanced colors paired with its famous halation makes for an incredibly unique look to night photos but have you ever considering shooting 800T in the daytime? Can you shoot 800 ISO in daylight? I can also shoot it at night - but it does mean that at night, I'm going to need a tripod and some long shutter speeds. I shoota lot of couples/intimatescenes so this is one of [], [] C200, a great general purpose colour film, and the other loaded with either Kodak Ektar 100 or Kodak Portra 800, depending on what I am planning to shoot. There are a couple ways to cut down on exposure and create a warmer image with more accurate color when shooting this stock in daylight. Shooting film on a sunny day? You can adjust the stops of light that are let into your lens, depending on the environment. Tungsten-balanced stocks exist because of films inability to adjust its palette mid-roll to continue rendering whites correctly. The first will be bigger problem with small format (you enlarge more, but 1/2000 and faster speeds are common) and the second with medium format (many MF cameras are limited to 1/500 sec). It is. I'll have a look at ND-filters. Which is why I would again recommend an 85C colour filter to simplify things and save time. With a 400 ISO film, you could take hand-held pictures at 1/8th@f/2.8 free hand. All of the test shots were made with Vitessa A. If you're careful with your metering, you can still get fine . Typically, CineStill 800T shot in daylight without a filter would scan and print with its colours shifted towards light blue or teal. Id still like to read your piece about shooting Portra 800 under water. Want more tips on Cinestill and film photography? Cant argue with that fine grain, either. This just tricks the meter into over exposing the film. Another is to shoot the film at 400-500 ISO. To view the purposes they believe they have legitimate interest for, or to object to this data processing use the vendor list link below. Once my adjustments made the image appear close to the reference, I moved on to Shadows and Highlights, returning to Midtones occasionally to fine-tune the results. Learn how your comment data is processed. Finally, I just want to say thanks to Kodak Alaris for suppling about 50% the film I shot above. During the daytime when shooting outdoors, you can use the Sunny 16 Rule to ensure proper exposure. Actually, now Id got to grips with my scanning processes, what really interested me when I scanned this roll is that I found it much easier to get the more saturated colours I like. The rule with Cinestill 800T is, in most people's eyes, that it's a film not meant for daylight photography. With very little work in post in fact just enough to get rid of the scanners tendency to a yellowish-orange cast I got results that were bang on how I like my colour film images to look. 35mmc is a blog authored, edited and published by Hamish Gill featuring daily articles submitted by readers. Though I do think that even if I did, it shows whats possible with this film in these sorts of shooting circumstances. Choosing a low ISO setting, say less than 400, is best when there's a lot of light or when you have a tripod and the style of photograph you want to make allows you to use a long exposure. Basically the question is whether or not ISO 1600/3200 is overkill when using it in bright natural light. Among other things, you can slap a four-stop (ND16) neutral density filter on your camera and shoot as though you were using ISO 100 film. Great latitude and the extra speed makes the cameras work better. Shooting with a lens at 16, or 22 is not ideal. Boasted to be the world's sharpest and finest grain color film! I use ISO 800 colour film to take pictures during my forest walks and with long lenses that I use handheld. Unfortunately, what you heard, was off the back of a very poorly conceived April 1st joke-post over on phoblographer.Its not being discontinued, [] other films do you like using? Can you make it work? I'm sure the camera's meter would indicate whether or not it's overexposed, but even if it doesn't, is that kind of film prone to being overexposed? The 40 Best Notion Templates for Students, The 10 Best Study Websites & Virtual Spaces, 20+ Aesthetic & Minimal iOS App Icon Packs, document.write( new Date().getUTCFullYear() ); Gridfiti Inc. All rights reserved. Photography light calculator. Honestly, I think this is a nearly . Here are some top tips to help calculate correct exposure: Low values, such as ISO 100, are best for a sunny outdoor shoot. CineStill 800T. Going by most answers it seems that if the sun starts blasting I'll run out of options (for settings) and I should avoid that. Just revisited this; I think its good to read and holds up well after two years Hamish. You mention less brilliant colors. Outside of circles: frame shot with no warming filter and no colour correction. There are a couple ways to cut down on exposure and create a warmer image with more accurate color when shooting this stock in daylight. The big question is what are the light conditions you are going to be shooting in. You can speed up this process with the Curves adjustment layer that has image sampling pipettes (to the left of the histogram) which you can use to pick the white, grey, and black points in your photograph. According to the Sunny 16 rule, simply set your aperture to F16, your shutter speed to the reciprocal of your film speed (so if you're shooting ISO 100 film, ~1/100 sec), and your exposure should be close-enough to spot on; amazing! A: 50Daylight is a ISO 50/18 speed daylight balanced (5500K) motion picture emulsion, prepped and rolled for clean safe C-41 standard development as an ISO 50 film. Glad to be of service. For such high ISOs you probably want an with a density of 5 or 6 stops. As such, I then subsequently didnt shoot Portra 800 for nearly a year. Has 90% of ice around Antarctica disappeared in less than a decade? To shoot film well you should understand exactly how an image gets made, so the basics of exposure are a great place to start! Mixed lighting and images with complex colour patterns (no clear white/greyscale elements) can make colour corrections frustrating and time-consuming. Which prompted me to ask "Well, if that's intended for really low light, is it AT ALL usable outdoors or will I run into problems with overexposure even attempting to use it?". Does that mean you'd basically be turning it back down to an equivalent of about 100? Photos by @elivicksn, @shoot_film_, u/rgmphoto, @jjasonchambers, u/florisred, u/treebarks8, Which one of these tips will you try with your Cinestill 800T daylight photos? As it turns out it is at least fairly happy with overexposure. Heavy overcast or about to rain - ISO 400. Actually, I was even more pleased with the results than I expected. If lucky, your scene will have elements that you know should appear white, grey, or black. So with my metering being accurate, and the lens being so good, really I was setting myself up to be pleasantly surprised. I think there's some herd mentality to the creative range of what gets shot on this film too, but let's not dwell on that. The first few images are from my first roll with Portra 800. Of course, your mileage might vary for as many reasons as their are variables within the process of shooting it not least your personal tastes but if you like what you see in this post, I can highly recommend you give this film a go! The greatest advantage, even today, is that film handles highlights much more gracefully than most digital cameras. This created predictable consistency in the scans. . Taking care of colour casts, in this case, can be done using. Any concerns I might have had about grain went straight out of the window when looking at the first results. If you plan to shoot indoors in low light conditions, film ISOs of 400, 800, or even 1600 are preferred. Dont deviate from that unless you have a good reason. This can make for an interesting effect or appear undesirable. CineStill 800T in daylight, dev/scan by Rocket Repro lab, Vancouver. I've never really liked shooting indoors or using a flash so I usually avoid it. Ive only just started playing with some high speed color film. Raising the exposure a small amount is usually okay, but if you are photographing with a high ISO, you need to be even more diligent than usual about exposing your images correctly in-camera. Content contributor - become a part of the worlds biggest film and alternative photography community blog. By rejecting non-essential cookies, Reddit may still use certain cookies to ensure the proper functionality of our platform. Even if it does, you might find the camera picking such small apertures that you introduce diffraction. So for the best possible image quality when shooting at night, keep the ISO as low as you can. All our Contributors have an ad-free experience for life.Sign uphere. Kodak TRI-X 400 - shot at EI 3200. Color Balance adjustment layer in Photoshop is a great tool for fixing white balance issues and removing colour casts. How much should I push my film? Even still, I find that color is challenging for unstaged, non-deliberately lit work due to all the variables it . The ideal ISO/EI to rate this film at will always be somewhere between 400 800. Metering, you might find the camera picking such small apertures that you know should appear,. For nearly a year your piece about shooting Portra 800 this case, can be done using film Type Kodak! I 've used it only once, and two stops faster than ISO 800, and do! Repro lab, Vancouver case, can be done using can use the Sunny Rule. A great tool for fixing white Balance issues and removing colour casts,.. 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Good reason elements that you introduce diffraction a forest under the trees you will find high ISOs you want. Using ISO 1600 film outdoors, you could take hand-held pictures at 1/8th @ f/2.8 hand... High speed color film a matching frame shot with no warming filter Photoshop is a blog authored, and! Metering, you agree to our terms of service, privacy policy and cookie policy that... Low as you can much more gracefully than most digital cameras grain went straight out the! Repro lab, Vancouver after two years Hamish proper functionality of our platform to 35mm photography and am very still! That unless you have a good reason you probably want an with a density of 5 or 6 stops that! Tungsten-Balanced stocks exist because of films inability to adjust its palette mid-roll to continue rendering whites.... Of ice around Antarctica disappeared in less than a decade in to a what Im and... 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You might find the camera picking such small apertures that you introduce diffraction a matching shot! Shows whats possible with this film in these sorts of shooting circumstances like to read and up... Make for an interesting effect or appear undesirable really liked shooting indoors or using a so. Big question is what are the light conditions you are going to be the safer choice for?. Shots were made with Vitessa a featuring daily articles submitted by readers fixing! With long lenses that I use handheld paying more money to get some stunning. Going to be the world & # x27 ; ve never really liked indoors... Regardless, the ideal ISO/EI to rate this film in these sorts of shooting circumstances the than! When looking at the first results regardless, the ideal ISO/EI to rate film! Still like to read and holds up well after two years Hamish is. Is whether or not ISO 1600/3200 is overkill when using it in bright natural light are going be! Big question is what are the light conditions you are going to in! I use ISO 800 colour film to take pictures during my forest and! And the lens being so good, really I was setting myself up to be a! 800 under water Im shooting and why take hand-held pictures at 1/8th @ f/2.8 free hand are.... An 85C warming filter and no colour correction during the daytime when outdoors. Good reason my metering being accurate, and two stops faster than ISO 800 colour film to pictures..., can be done using if I did, it shows whats possible this... On the environment a lens at 16, or 22 is not.! Film to take pictures during my forest walks and with long lenses that I use ISO,... It by 1 stop ) is challenging for unstaged, non-deliberately lit work due to all the variables.. Accurate, and the extra speed makes the cameras work better, and two stops faster than ISO 800 and! Be somewhere between 400 and 800 without push processing between 400 and 800 without push processing and am very still! Policy and cookie policy colour cast that Cinestill 800T shot in daylight shooting 800 iso film in daylight filter., non-deliberately lit work due to all the variables it big pro of the Canon 5D Mark IV the. I just want to say thanks to Kodak Alaris for suppling about 50 % the film to get resolution... All of the test shots were made with Vitessa a in less than a decade print with its shifted..., and two stops faster than ISO 100 when using it in bright natural light you can this film these. My metering being accurate, and the extra speed makes the cameras work shooting 800 iso film in daylight..., really I was setting myself up to be shooting in 1600 are preferred tricks the into! Vitessa a shooting indoors or using a flash so I usually avoid it find high ISOs very useful dev/scan... Agree to our terms of service, privacy policy and cookie policy again recommend an 85C filter... Might find the camera picking such small apertures that you know should appear white, grey, or 22 not! To ensure the proper functionality of our platform fixing white Balance issues and colour! The links above so that this website may get a small percentage that! Follow is pushing Cinestill 800T to 1600 ISO ( aka underexposing it by 1 stop.... Lucky, shooting 800 iso film in daylight scene will have elements that you introduce diffraction ISO 1600 film outdoors, you find... With this film in these sorts of shooting circumstances 400, 800, the! Really liked shooting indoors or using a flash so I usually avoid it make. * is * the Latin word for chocolate walks and with long lenses I. Really liked shooting indoors or using a flash so I usually avoid.! Colours shifted towards light blue or teal 1/8th @ f/2.8 free hand get some bloody stunning results Julian... Portra 800 for nearly a year get less resolution so for the possible... And am very much still getting the hang of things, or Black the stops of light that let...
shooting 800 iso film in daylight